installation view at Storefront for Art and Architecture Photo: Luis Cordoza
Exhibitions:
IT IS A GOOD PROJECT AND SHOULD BE BUILT, Galveston Artist Residency, Galveston TX
August 24 - November 2, 2024
IT IS A GOOD PROJECT AND SHOULD BE BUILT, Visual Arts Center, Austin TX
September 20 - December 7, 2024
IT IS A GOOD PROJECT AND SHOULD BE BUILT, Storefront for Art and Architecture
March 13 - June 1, 2024
IT IS A GOOD PROJECT AND SHOULD BE BUILT
2024
three channel video installation
33:45 minutes
For over a century, scientists, engineers, and government officials have been working to protect the Texas Gulf Coast from superstorm events that have damaged local ecosystems, displaced and killed coastal residents, and immobilized the region’s energy, shipping, and military operations. In the wake of catastrophic storms and hurricanes, including Katrina, Ike, and Harvey, the US Army Corps of Engineers has proposed the construction of a $57 billion floodgate and dike system in Galveston Bay called the Texas Coastal Barrier Project, or “Ike Dike” for short. One of the largest proposed projects in the corps’ history, the Ike Dike has been vaunted not only as essential to protecting the Houston Ship Channel but also under the banner of environmental and community protection. IT IS A GOOD PROJECT AND SHOULD BE BUILT examines the corps’ efforts to advocate for the Ike Dike using community- and environment-focused rhetoric in public forums while developing a plan that prioritizes industrial, political, and military concerns above all else.
Juxtaposing real-world interviews with corps officers, footage of bureaucratic procedures, and historical narratives of local environmental infrastructure projects with staged civic action and musical performances, Schmidt–Arenales’s film untangles the irony at the heart of the Ike Dike project: the industries it is designed to protect are the very industries driving the escalation of superstorms in Texas and around the globe. And the communities and ecosystems that are most threatened by rising sea levels and storms will continue to bear the brunt of the Ike Dike’s costly shortcomings. IT IS A GOOD PROJECT AND SHOULD BE BUILT offers perspectives on intervening in purposefully opaque bureaucratic procedures and demonstrates the importance of questioning seemingly innocuous administrative performances through imaginative and collaborative methods.
text by Max Fields for exhibition at VAC, Austin
IT IS A GOOD PROJECT AND SHOULD BE BUILT will also be released as a feature length non-fiction film.
Director, Producer, and Editor: by Fred Schmidt-Arenales
Additional Editing: Sam Kahrar
Director of Photography: Nellie Kluz
Additional Camera: Boothe Carlson, London Ham, Ryan Hawk, Ronal Lewellyn Jones, Bobby Nash
Location Sound: Brian Albritton, Traci Hercher
Art Direction: Andy Davis, Anne Lukins
Composer: Jacob Brunner
Sound Design and Mix: Natasha Jean Jacobs
Color Correction: Ben Neufeld